Backstage A.F. Vandevorst: Transparent hats and gold plated faces
Backstage A.F. Vandevorst is divided into two zones: the girls are brushed and dyed in one, and dressed in the other. When you see models that have just been covered with gold pigment, you appreciate the prudence of the team: the collection next to the drying paint is really better not to leave.
In the process, it turns out that the clothes were taken so far that you have to choose whether to run to her or stay in the make-up sector. I understand that I will see the collection this way and that, and I will not be able to look at gold girls who chew peaches anymore. Well, in general - there are clothes, but here all the same life.
In anticipation of a conversation with the main make-up artist Ang Gronyar look around. On the left - stylists who are gunning (do not be frightened) with a needle when creating hairstyles. On the right, make-up artists who paint something on top of the shaded skin of some models, or create smokey eyes, are a bit more lucky - others. Waiting for explanations from Eng:
"There is a lot of gold in the collection, so we decided to make it a connecting element of the show. Those who already went out in shiny clothes were put on matte black shadows throughout the upper eyelid, others were covered with gold pigment. You know, bronze shadows are something completely from another era, so we decided not to waste time on trifles and make real figurines out of models. "
- Backstage Gareth Pugh: Scarlet Dresses and Crying Models