Main weekend shows Paris Fashion Week

From September 24 to October 2, Fashion Week is held in Paris - a key event in the industry. Wonderzine talks about the most remarkable shows of spring-summer collections and collects professional comments about them. This issue features Acne, Celine, Chloe, CDG, Jean Paul Gaultier, Kenzo, Givenchy and Viktor & Rolf.

Acne

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The collection marked a return to the roots of the brand, and in different ways: the designer focused on denim and things inspired by working gear, and most importantly, the collection was very, very Swedish.

Jonny Johansson focused on dynamic colors: red, yellow and blue, reminiscent of pop art.

Acne showed wearable and lightweight clothing - this brand has missed the last two seasons.

Comme des garçons

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This time in the Paris week, a whole galaxy of designers experimented with their own limitations and went against the stereotypes associated with their brands. Rei Kawakubo surpassed them all.

The only way to do something new is to abstract from creating clothes exclusively.

Describe these forms does not make sense. The only thing that can be said is the creation of this requires tremendous effort and careful approach.

Givenchy

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I want to move away from this whole story with prints, which was very successful for us. I want to try something new.

Celine

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The collection showed the real power of a woman Celine: she listens to the heart, not the mind.

Once minimalism - always minimalism? Not necessarily, especially when it comes to Phoebe Faylo.

Phoebe Faylo wanted to show clothes that look more friendly and attract more attention. With this collection, she definitely caught the attention of the fashion industry.

Chloe

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The collection showed references to medieval Britain, but it certainly originates in the style of Paris.

Jean Paul Gaultier

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The clothes in this performance played a supporting role.

Kenzo

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Carol Lim and Umberto Leon work brilliantly with the codes of Kenzo Takada, but this season they used their history for the first time as a basis for collection. As a result, it mixed sea motifs, surf culture and references to the underground music scene in Los Angeles.

It was a show of crazy energy, it seemed that the designers put a man against the water element.

The inscription "No fish, no nothing" shows that Carol and Umberto are concerned about the state of the environment, but with them it looks attractive, and not like Vivienne Westwood.