Report: Vika Gazinskaya FW 2012 Show
Once in the corridor of the Central House of Architects, we do not understand where to go: there are at least three doors on the left, and a straight staircase. Everywhere is incredibly beautiful - gold, stucco, candelabra, but the rooms are so similar to each other, that it is not necessary to envy models that remember the pattern of passage from one to another. I somehow find the backstage on the second floor and instantly forget how to get back.
The backstage zone is divided into two rooms: in one model they dye and brush their hair, in the other they dress it, although closer to the show, everything happens randomly and wherever it is necessary. Girls sparkle with their "golden" eyes in our direction - a solemn make-up corresponds to the collection. Hairdressers and Vika herself try to pacify someone's disobedient hair and twist it into a neat little wheel, which, by the way, was one of those techniques that you think about: "So simple that you need to remember."
Vicki’s rehearsals differ from the show only in that we sit on benches alone. The girls go a long way through corridors, halls and stairs in what they seem to the public, and their faces are serious and focused - which, in general, is not surprising: just think for a second - and roll down the steps of the Vika Gazinskaya way down.
Thanks to the rehearsal, we watch the show a second time, but this is no less interesting: if at the beginning you appreciate the bow as a whole, now you pay attention to the details, and there are plenty of them that are not visible in the pictures of Tommy Ton. You made out: grape grapes drawn by Vika, made of matte plastic sweatshirt stones, a plastic chain supporting a clutch, and fabrics that seemed to have been shaded with a pencil, referring to the previous collection. And yes, if all of the above can be presented quite easily at a local fashionista, then the interpretation of the Baroque risks lingering in the stores just like the previous Rodarte x Opening Ceremony collection. However, this is more about a total bow with a jacket-justokor, and for short dresses with an imitation of jabot and midi with sleeves-wings hunters will surely be found. For example, we.
What worked especially well for a designer is the same grape print. He looked well on the shaded pencil dress, and on the asymmetrical flared skirt, and on the summer chintz sundress, and on the dress, in which the calico top and the asymmetrical skirt were combined together. And, of course, if not to say: the shoes created by Judari for Gazinskaya, we also rated - with and without grapes.
