Pearls, gold, kabuki: 10 bold makeup fashion week in New York
Masha Vorslav
A week ago, the fashion shows of the four world fashion weeks started, so within a month we will learn what to wear and how to wear it next spring and summer. While London week unfolds, there is time to think about what the designers and makeup artists wanted to say at the just-completed New York. We chose ten of the most impressive makeup, which will serve as an excellent inspiration for independent experiments.
Hood by air
The most topical make-up came up with Inge Ggnard for showing HBA. Designer Shane Oliver decided to speak on the topic of changing the appearance and sent the makeup artist with contouring as a reference to the makeup artist. In Gognard, the irony of excellence delusion turned out to be pretty and therefore not harsh, but the dumb question of why people soared over so much to look perfect, hung in the air. By the way, make-up artists also emphasized the modernity of HBA's views, making up male models in an identical pattern.
Georgine
Designer Georgine wanted to speak, in general, about clothes (or rather, that it can be combined in unusual ways), so the task for make-up artists was the usual one: imbibe the mood and maintain the image. The result was not trivial: colored smoky eyes of complex shades supplemented with contrasting color eyebrows — as if someone had twisted the sliders while playing with RGB curves in the image editor.
Jeremy scott
Compared to the amount of color in the collection itself, Jeremy Scott's makeup was even concise (perhaps with hypertrophied wigs chosen by the hairdresser Eugene Suleiman, a brighter one would have looked ridiculous). But to catch the eye was for that: light peach matte lipstick paired with a lush hairstyle brings back memories of the tastes of not only the 70s, but also luxurious nulls, and the fat, multi-hinged arrow pushes excessive diligence from the image, which everyone is tired for a long time.
Dion lee
At the Dion Lee show, the models had only one accent in make-up - but what. To achieve a similar visual effect can be in different ways (cosmetics, foil or other improvised means), but the team decided not to skimp on the efforts and contacted Australian jewelers Sarah & Sebastian. For each model, they made a minimalistic metal tire that accurately follows the contours of the face. It turned out simple, clean and attractive enough to flood the instagram of almost every guest of the show.
Francesca Liberatore
An illustrative example of how to use the minimum set of familiar products for everyone (silver eye shadow, black pencil and lip gloss) can be done not only with monochrome makeup. For the starting point, Francesca Liberatore took the need to shine, but somehow flowery. As a result, silver shadows settled not on the eyelids, but at the top of the forehead, and the gloss was added not only on the face, but also on the nails.
Thom browne
Containing obvious references to the Japanese theater, the make-up at the Thom Browne show was the work of the MAC team, and Jimmy Paul invented the braid with the help of Bumble & Bumble. The original incoherence of the image falls apart when looking at the collection itself: postkabuki make-up echoed shoes resembling traditional Japanese geta and the Kill Bill soundtrack, and pleated skirts and schoolgirl portfolios seemed to require a rethinking of children's hair with pigtails.
Katie gallagher
Victor Sembellin made a reversion to Asian culture - or rather, he supported this idea of designer Katie Gallagher. In Asian make-up itself, it is no more than American: even the shine of the skin, loved in another part of the world, has already become a global trend and called strobe. Nevertheless, the make-up is entertaining: usually the black color on the lips, which arouses fear, in combination with red does not look gloomy at all, but the graphic color accents that we have long believed in are even better used to dilute the palette.
The blonds
"Egypt and Disco," says the main makeup artist for The Blonds show, who prefers to call himself Kabuki. Gold was in bulk among the clothes, so the makeup turned out to be more modest than Pat McGrath's famous work on a similar theme, but not much. Metal overhead arrows in the form of hieroglyphs and not only - they were, gold glitter and applications - there were lip outlines beyond the natural contour (Kylie, hello) - too.
Creatures of the Wind
Enough gold was also on the show Creatures of the Wind. Aaron de May considered that the bold graphic arrow was not sufficiently well-dressed, and covered the entire moving eyelid with large glitters. The rest of the makeup was neat and discreet enough that the powerful emphasis on the eyes was considered not ingenious, but conventionally beautiful. In general, the ideal option - and fast! - for parties of the next summer.
Givenchy
The masks have already become a familiar makeup for Givenchy - thanks to Pat McGrath, who does not tire of inventing them. This time, the sequins and gems were replaced by pearls, a thin veil and figured plates of ivory color (however, there were some large rhinestones in some places). Compared with the previous masks, the spring came out light and even airy - despite the fact that they cost makeup artists 12 hours of work and were not felt for models.